{"id":5884,"date":"2019-10-04T21:13:39","date_gmt":"2019-10-05T00:13:39","guid":{"rendered":"https:\/\/ficvaldivia.cl\/?p=5884"},"modified":"2019-10-04T21:14:59","modified_gmt":"2019-10-05T00:14:59","slug":"ficvaldivia-announces-official-international-feature-selection-and-official-international-youths-feature-selection-for-2019-edition","status":"publish","type":"post","link":"https:\/\/ficvaldivia.cl\/en\/ficvaldivia-announces-official-international-feature-selection-and-official-international-youths-feature-selection-for-2019-edition\/","title":{"rendered":"FICValdivia announces Official International Feature Selection and Official International Youth\u2019s Feature Selection for 2019 edition"},"content":{"rendered":"\n

The Valdivia International Film Festival announced their Official Selection for two of their main competitive categories: International Feature, and International Youth\u2019s Feature. Three Chilean premieres, six Latin American ones, and one world debut make up the 10 films in the Official International Feature Selection. In turn, the Official International Youth\u2019s Feature Selection, which is running for second year in a row, is composed of movies with diverse origins that explore the complexities of youth, from a variety of topics that make them impossible to classify.<\/em><\/p>\n\n\n\n

The Southern Cone, a great peninsula and a great stage: several of the competing pictures in FICValdivia\u2019s 2019 Official International Feature Selection have this territory in common, setting in it urban stories with protagonists as diverse as a single father and \u2013 literally \u2013 a building. Two are Chilean titles: Historia de mi Nombre<\/strong> (2019), by director Karin Cuyul, and Nona. Si me Mojan, Yo los Quemo<\/strong> (2019), by Camila Jos\u00e9 Donoso. Screening too will be the Brazilian production Sete anos em Maio<\/strong> (2019), by Affonso Uchoa, and Construcciones<\/strong> (2018), by Argentine filmmaker Fernando Restelli.<\/p>\n\n\n\n

Also in competition from Latin America is Sirena<\/strong> (2019), by Bolivian director Carlos Pi\u00f1eiro. <\/p>\n\n\n\n

Argentina appears once again as a location, in Electric Swan<\/strong> (2019), by Greek director Konstantina Kotzamani. From far away latitudes, Khartoum Offside<\/strong> (2019), by Saudi director Marwa Zein, and 143 Sahara Street<\/strong> (2019), by Algerian filmmaker Hassen Ferhani.<\/p>\n\n\n\n

The list is complete with Longa Noite<\/strong> (2019), by Spanish author Eloy Enciso, and the French-American production So Pretty <\/strong>(2019), by director Jessie Jeffrey Dunn.
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