{"id":11114,"date":"2022-10-18T19:05:43","date_gmt":"2022-10-18T22:05:43","guid":{"rendered":"https:\/\/ficvaldivia.cl\/?p=11114"},"modified":"2022-10-18T19:05:43","modified_gmt":"2022-10-18T22:05:43","slug":"vladimir-leon-in-my-film-there-are-elements-and-clues-to-understand-the-present","status":"publish","type":"post","link":"https:\/\/ficvaldivia.cl\/en\/vladimir-leon-in-my-film-there-are-elements-and-clues-to-understand-the-present\/","title":{"rendered":"Vladimir L\u00e9on, \u201cIn my film, there are elements and clues to understand the present.\u201d"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Author of My Dear Spies, Best International Feature in 2020, the Russian director based in France had an interesting exchange with the audience, where he spoke about his documentary, family secrets, and the current situation in Russia. His visit is part of an homage FICValdivia paid to the award-winners that two years ago could not come because of the pandemic.<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">In the section devoted to the Award-winners of FICValdivia 2020, last Wednesday was the screening of <\/span><i><span style=\"font-weight: 400;\">Mes Chers Espions<\/span><\/i><span style=\"font-weight: 400;\">, by France-based Russian director Vladimir L\u00e9on, a documentary about family secrets and the search for roots, which was conceived after the passing of the filmmaker\u2019s mother. A suitcase of hers, full of photographs and writings, works as a guide to reveal a mystery: why were her parents and her deported from France to Russia in 1948? In what context did she return, along with her grown boys, back to French soil in 1975? The answers point to Lenin, the KGB, and the DGSI, prompting Vladimir \u2013 and his brother, filmmaker Pierre L\u00e9on \u2013 on a journey through the vestiges of the Soviet Union.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Mes Chers Espions<\/span><\/i><span style=\"font-weight: 400;\"> is both political and personal, and it captivated the audience at the festival.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c2020 was a complicated year for cinema,\u201d recalls the author of cinematographic works such as <\/span><i><span style=\"font-weight: 400;\">Nissim dit Max<\/span><\/i><span style=\"font-weight: 400;\"> (2004), <\/span><i><span style=\"font-weight: 400;\">Le brahmane du Komintern<\/span><\/i><span style=\"font-weight: 400;\"> (2006), and <\/span><i><span style=\"font-weight: 400;\">Les anges de Port Bou <\/span><\/i><span style=\"font-weight: 400;\">(2011), after the show at Cineplanet. \u201cThe documentary premiered at <\/span><span style=\"font-weight: 400;\">Visions du R\u00e9el, and the same day of the projection we went into lockdown. The festival director told us, \u201cIt\u2019s all over.\u201d It was hard. Later, online screenings were strange because you couldn\u2019t really tell how people were reacting. Q&amp;As over the internet also felt strange. So, coming here and showing the film in front of an audience that asked questions was a luxury. It is a very happy moment for me. It is the return to normal life, to people, to reactions.\u201d<\/span><\/p>\n<p><b>How did finding a family suitcase end up being a documentary?\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I have always been obsessed with family history. In the film, there are archives shot 10 years ago; some even documented in 1989. I have been filming my family for a long time. What drove this documentary was really my mother\u2019s passing. At that time, I asked myself, \u201cshould I stop because she is no longer here, and never really answered my questions, or should I continue?\u201d So, I decided to do something about it, and beyond that, also to speak about contemporary Russia. It was a way of going into the country and telling something about our times. I obtained funding, producers, and off we went. It is a long story, but we made the decision to go to Russia quickly.\u00a0<\/span><\/p>\n<p><b>Many of the audience questions pointed to the war in Ukraine. How does the documentary help us understand the conflict?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">In the film, there are elements and clues to understand the present, because of its structure, where memories of the past combined with the present. For example, we hear my mother\u2019s journals, but we see current images. So, in a way, I think only a new layer has been added today. I don\u2019t know how the future will be, but I am sure there will be layers upon layers, showing us how much things change, but, at the same time, how much they stay the same. Unfortunately, there are things that repeat in a very similar fashion, as time goes by.\u00a0<\/span><\/p>\n<p><b><i>Mes Chers Espions <\/i><\/b><b>will screen again on Friday 14, at 6:30pm, at Cineplanet.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author of My Dear Spies, Best International Feature in 2020, the Russian director based in France had an interesting exchange with the audience, where he spoke about his documentary, family secrets, and the current situation in Russia. His visit is part of an homage FICValdivia paid to the award-winners that two years ago could not&hellip;<\/p>\n","protected":false},"author":18,"featured_media":10967,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-11114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-19","description-off"],"_links":{"self":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/11114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/comments?post=11114"}],"version-history":[{"count":1,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/11114\/revisions"}],"predecessor-version":[{"id":11115,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/11114\/revisions\/11115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/media\/10967"}],"wp:attachment":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/media?parent=11114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/categories?post=11114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/tags?post=11114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}