{"id":10357,"date":"2022-09-09T13:29:05","date_gmt":"2022-09-09T16:29:05","guid":{"rendered":"https:\/\/ficvaldivia.cl\/ficvaldivia-presenta-nocturama-y-ultimos-titulos-de-seleccion-oficial-largometraje-y-seccion-gala-para-su-edicion-29\/"},"modified":"2022-09-15T18:52:03","modified_gmt":"2022-09-15T21:52:03","slug":"ficvaldivia-presenta-nocturama-y-ultimos-titulos-de-seleccion-oficial-largometraje-y-seccion-gala-para-su-edicion-29","status":"publish","type":"post","link":"https:\/\/ficvaldivia.cl\/en\/ficvaldivia-presenta-nocturama-y-ultimos-titulos-de-seleccion-oficial-largometraje-y-seccion-gala-para-su-edicion-29\/","title":{"rendered":"FICValdivia presents Nocturama and latest titles in Official Feature Selection and Gala section for 29th edition"},"content":{"rendered":"<ul>\n<li><b>Highlights in the program include \u201cWalk Up\u201d, by acclaimed Korean director Hong Sang-soo, along with \u201cShin Ultraman,\u201d the awaited reboot of the Japanese hero\u2019s saga.\u00a0<\/b><\/li>\n<li aria-level=\"1\"><b>Festival Passes are now on sale for the upcoming edition, which will take place from October 10 to 16.<\/b><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">At almost a month from opening its 29<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> edition, the Valdivia International Film Festival (FICValdivia) announces new titles in the <\/span><b>Official Feature Selection<\/b><span style=\"font-weight: 400;\"> and the <\/span><b>Gala Section<\/b><span style=\"font-weight: 400;\">, in addition to the pictures showcasing in <\/span><b>Nocturama<\/b><span style=\"font-weight: 400;\">, the nighttime program reserved for cult films.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Festival Passes are now on sale for FICValdivia\u2019s upcoming edition, which will take place from October 10 to 16. All the information is available on the festival website at www.ficvaldivia.cl.<\/span><\/p>\n<p><b>4 new features in competition<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Adding to the motion pictures already announced in the Official Feature Selection, organizers are now revealing four productions, from Argentina, Brazil\/Mozambique, Canada\/Turkey, and France\/Tunisia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The first film is <\/span><b><i>Sobre las nubes<\/i><\/b><span style=\"font-weight: 400;\">, directed by Argentinean filmmaker Mar\u00eda Aparicio (\u201cLas calles\u201d), which had its world premiere at FID Marseille. A melancholy, austere choral piece shot in careful black and white, it follows four characters in the big city: a cook at a bar, an unemployed technician, a nurse at a public hospital, and a clerk at a bookstore. These four stories are linked together by the metropolitan sprawl.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another of the movies in competition is <\/span><b><i>Maputo Nakuzandza<\/i><\/b><span style=\"font-weight: 400;\">, a Brazilian-Mozambique coproduction, with director Ariadine Zampaulo at the helm, and which premiered at Mostra de Cinema de Tiradentes. It is an urban symphony about Maputo, the capital of Mozambique, that begins with young people coming out of nightclubs, at dawn, persons running, workers beginning their activities, tourists that meander around the city, and the pronouncements from a radio broadcaster that fill the hours of the day with its sounds. It is a movie-poem about life in the city.<\/span><\/p>\n<p><b><i>A Woman Escapes<\/i><\/b><span style=\"font-weight: 400;\">, in turn, is a Canadian-Turkish coproduction, codirected by Sofia Bohdanowicz, Burak Cevik, and Blake Williams. Like the previous picture, it explores the borderlands between documentary and fiction, recreating the story of a young woman (Bohdanowicz) that moves into the apartment of a friend who has recently passed away in Paris. She will keep an audiovisual correspondence with other filmmakers (Burak and Blake), in search of healing. The result is an epistolary piece where different formats are entwined \u2013 16mm, 4K \u2013 in a constant interplay, developed over a cinematographic experience that will screen in 3D.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Closing the Official Feature Selection is <\/span><b><i>Ashkal<\/i><\/b><span style=\"font-weight: 400;\">, a motion picture by Youssef Chebbi (\u201cBlack Medusa\u201d), which premiered this year at the Directors\u2019 Fortnight, in Cannes. A coproduction between France and Tunisia, it is a thriller with social content, that centers on two North African police officers \u2013 a young woman and a veteran agent \u2013 that investigate a strange case: a man\u2019s immolation in the middle of buildings under construction, which were left unfinished when the \u201cJazmine Revolution\u201d exploded in 2010.<\/span><\/p>\n<div id=\"attachment_10208\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10208\" class=\"wp-image-10208 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje-_1920x1080-MAPUTO-NAKUZANDZA-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10208\" class=\"wp-caption-text\">Maputo Nakuzandza, Ariadine Zampaulo, Brasil, Mozambique, 2022, 60 min.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10210\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10210\" class=\"wp-image-10210 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-SOBRE-LAS-NUBES-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10210\" class=\"wp-caption-text\">Sobre las nubes, Mar\u00eda Aparicio, Argentina, 2022, 143 min.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10212\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10212\" class=\"wp-image-10212 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-A-WOMAN-ESCAPES-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10212\" class=\"wp-caption-text\">A woman escapes, Sofia Bohdanowicz, Burak \u00c7evik, Blake Williams, Canad\u00e1, Turqu\u00eda, 2022, 81 min.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10214\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10214\" class=\"wp-image-10214 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Seleccio\u0301n-Oficial-Largometraje_1920x1080-ASHKAL-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10214\" class=\"wp-caption-text\">Ashkal, Youssef Chebbi, Francia, T\u00fanez, 2022, 92 min.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><b>Korea and Italy in the Gala section<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Already announced to the Gala program were the pictures <\/span><b><i>The Novelist\u2019s Film<\/i><\/b><span style=\"font-weight: 400;\">, by Hong Sang-soo; <\/span><b><i>Alcarr\u00e1s<\/i><\/b><span style=\"font-weight: 400;\">, by Carla Sim\u00f3n; <\/span><b>Mutzenbacher<\/b><span style=\"font-weight: 400;\">, by Ruth Beckermann; <\/span><b><i>Pacification<\/i><\/b><span style=\"font-weight: 400;\">, by Albert Serra; <\/span><b><i>Magdala<\/i><\/b><span style=\"font-weight: 400;\">, by Damien Manivel, and <\/span><b><i>Fiebre<\/i><\/b><span style=\"font-weight: 400;\">, by Elisa Eliash. FICValdivia organizers have disclosed the final two movies in this section.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The first one is <\/span><b><i>Walk Up<\/i><\/b><span style=\"font-weight: 400;\">, by Hong Sang-soo, which comes together with <\/span><b><i>The Novelist\u2019s Film<\/i><\/b><span style=\"font-weight: 400;\"> almost as an aesthetic complement. The film will hold its official premiere in a few days, at the Toronto Film Festival, and from there, it will transit to the festivals at San Sebastian and New York, before arriving in Valdivia. As is the case with a great portion of the South Korean director\u2019s oeuvre, <\/span><i><span style=\"font-weight: 400;\">Walk Up <\/span><\/i><span style=\"font-weight: 400;\">plays with transformations in the narrative, changing its direction, and experimenting with the potential of what comes onscreen. Here, too, his main character is a filmmaker that, together with his daughter \u2013 an interior design student \u2013, visits a friend from the business, to see her lavish residence. There, time and action branch off, or rather, are reiterated and questioned, enhancing a staging that centers on the spatial parameters of the building where the action takes place, whose meticulous and labyrinthine narrowness is reproduced in the tale\u2019s serpentine structure.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The last motion picture in this section is <\/span><b><i>Gigi la Legge<\/i><\/b><span style=\"font-weight: 400;\">, by Italian director Alessandro Comodin, an author with a free sense of staging, who resists definitions of his poetics. Documentary and fiction usually converge in his pictures, and he has a predilection for working with non-professional actors. In this dimension, and in the importance of using diverse dialects, his style is radically influenced by Pier Paolo Pasolini, from whom he also seems to have taken the warm expressiveness of natural landscapes. <\/span><i><span style=\"font-weight: 400;\">Gigi la Legge <\/span><\/i><span style=\"font-weight: 400;\">received the Special Jury Prize at the Locarno Film Festival. It is a title that is very close to other pieces by Comodin \u2013 as is the case with <\/span><i><span style=\"font-weight: 400;\">L&#8217;estate di Giacomo<\/span><\/i><span style=\"font-weight: 400;\"> (2011) and with <\/span><i><span style=\"font-weight: 400;\">I Tempi Felici Verranno Presto<\/span><\/i><span style=\"font-weight: 400;\"> (2016) \u2013 where the quotidian comes together with the supernatural. His new picture, deeply familiar, was shot in the Friuli region, where the filmmaker spent his formative years, and it stars his uncle, who portrays a distracted transit police officer that investigates a wave of suicides in the community.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10216\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10216\" class=\"wp-image-10216 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-GIGI-LA-LEGGE-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10216\" class=\"wp-caption-text\">Gigi la legge, Alessandro Comod\u00edn, Italia, Francia, B\u00e9lgica, 2022, 98 min.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10218\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10218\" class=\"wp-image-10218 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-1024x576.jpg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-200x113.jpg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-768x432.jpg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-1536x864.jpg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/Gala-mac_1920x1080-WALK-UP-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-10218\" class=\"wp-caption-text\">Walk up, Hong Sangsoo, Corea del sur, 2022, 97 min.<\/p><\/div>\n<p><b>Nocturama: The return of Ultraman\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">This FICValdivia section is devoted to aesthetic visions that approach the bizarre and extreme. Organizers revealed the program, which attempts to recover contemporary works that have everything to become cult classics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In that line, SHIN ULTRAMAN, a reboot of the classic Japanese TV character created by Eiji Tsuburaya, in 1966, will premiere in Chile. The mysterious giant with superpowers fights against gargantuan creatures, known as the Class S species (Kaiju), who threaten to destroy Tokyo. <\/span><span style=\"font-weight: 400;\">The original series was a success around the world, generating sequels and imitations, and in recent years, numerous animation products.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This new movie is written and produced by<\/span><span style=\"font-weight: 400;\"> Hideaki Anno<\/span><span style=\"font-weight: 400;\">, a self-proclaimed Ultraman fan, and directed by <\/span><span style=\"font-weight: 400;\">Shinji Higuchi<\/span><span style=\"font-weight: 400;\">, who has worked with Anno in <\/span><span style=\"font-weight: 400;\">Neon Genesis Evangelion<\/span><span style=\"font-weight: 400;\">, and in other renowned anime films, and who has ample experience with special effects.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Together, they recover the original aesthetic of the character and narrate the chaos that ensues with the appearance of powerful Kaiju that begin to devastate modern-day Japan. Although the Japanese government has created a special combat unit, the SSSP, it is Ultraman\u2019s help that proves to be the key to face the threat.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As a complement to <\/span><span style=\"font-weight: 400;\">SHIN ULTRAMAN\u2019s debut, the Nocturama section will also screen four episodes of the original 1966 series, updated in 4K quality.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a9 2022 SHIN ULTRAMAN FILM PARTNERS \u00a9 TSUBURAYA PRODUCTIONS<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10224 size-large\" src=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-1024x576.jpeg 1024w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-200x113.jpeg 200w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-768x432.jpeg 768w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-1536x864.jpeg 1536w, https:\/\/ficvaldivia.cl\/wp-content\/uploads\/2022\/09\/NOCTURAMA_1920x1080-SHIN-ULTRAMAN-2048x1153.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><b>Festival Passes are on sale<\/b><\/p>\n<p><span style=\"font-weight: 400;\">It its complete return to in-person activity, the Valdivia International Film Festival will have eight venues screening the program. Festival passes, student passes, and passes for seniors are available online. Additionally, as is tradition, the event will have a highlighted program with free shows and movies for the entire family. The Festival Pass also grants access to multiple benefits and promotions in the FICValdivia Affiliated Business Network.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The complete FICValdivia 29 program will be announced this coming Thursday September 29, in the city of Valdivia.<\/span><\/p>\n<p><b>FICValdivia is funded and organized by Universidad Austral de Chile; produced by the Valdivia Cultural Center for Film Promotion; convened by the Great City of Valdivia, the Los R\u00edos Regional Government, and Codeproval; financed by the Audiovisual Fund, the Collaborating Festivals Program of the Audiovisual Arts and Industry Council (Call 2021-2022), and the Collaborating Cultural Organizations Program of the Ministry of Cultures, Arts, and Heritage.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Highlights in the program include \u201cWalk Up\u201d, by acclaimed Korean director Hong Sang-soo, along with \u201cShin Ultraman,\u201d the awaited reboot of the Japanese hero\u2019s saga.\u00a0 Festival Passes are now on sale for the upcoming edition, which will take place from October 10 to 16. At almost a month from opening its 29th edition, the Valdivia&hellip;<\/p>\n","protected":false},"author":18,"featured_media":10207,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[108,19],"tags":[109],"class_list":["post-10357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacados-en","category-news","tag-destacado-en","category-108","category-19","description-off"],"_links":{"self":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/10357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/comments?post=10357"}],"version-history":[{"count":3,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/10357\/revisions"}],"predecessor-version":[{"id":10360,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/posts\/10357\/revisions\/10360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/media\/10207"}],"wp:attachment":[{"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/media?parent=10357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/categories?post=10357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ficvaldivia.cl\/en\/wp-json\/wp\/v2\/tags?post=10357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}